![]() ![]() If you’re unsure of which device to try, you can always try a reset on a different phone or tablet. A reboot should fix most WiFi-connected problems. If the problem persists, you may need to unplug the power source and restart the router. Be sure to turn off your TV before you attempt this process, as it will likely cause the device to restart without any video. Resetting the device manually will clear the cache and restore it to factory settings. Rebooting your Chromecast will resolve many device-related problems. It’s worth mentioning that a reboot won’t wipe any data, and it works on the Chromecast Ultra as well. If the problem persists, you may have to reboot your device a second time. Wait 30 seconds before trying to cast something. After they are disconnected, reconnect them. First, unplug your network and Chromecast devices. A reboot will fix many problems, including casting issues. If the above step doesn’t fix the issue or you’ve recently discovered that your Chromecast can’t connect to wifi, you may want to try rebooting it. There is no one single way to fix the problem, but these are the main steps to troubleshoot the issue. If none of these steps fix the problem, you may have to go through the whole setup process again. Alternatively, you may need to replace your Chromecast device. If the above steps don’t help, you can try to connect Chromecast to a different network or try a different TV. If the problem persists, try rebooting the Chromecast. If the first problem is the router, try connecting your Chromecast to the same network as your mobile devices. Additionally, the Chromecast and your mobile device may be connected to different networks. If the Chromecast can’t connect to wifi, you might have recently changed the password on your router or added a second network. Once the device is back online, reboot the router or modem. If neither device is able to connect to the internet, try resetting the Chromecast device. Also, turn off your modem and router, but wait about 10 seconds before turning them back on. ![]() If this doesn’t work, try a range extender. Wait a couple of minutes while the router reboots.įirst, try to move your router or Chromecast closer to your modem. To do this, simply press and hold the power button until all lights turn off. If it won’t reconnect, the router might need a restart as well. Rebooting a router should fix the problem. Reboot your Wi-Fi routerįirst step is to reboot your router. Once you’ve successfully connected your Chromecast to WiFi, you’re ready to watch your favorite YouTube videos. To find the best connection, make sure your phone and Chromecast are connected to the same Wi-Fi network. You can also try connecting your Chromecast to multiple networks and see what happens. This will ensure that they don’t have to use different Wi-Fi networks. Make sure your phone and Chromecast are on the same Wi-Fi network. Once you’ve done that, you can turn your Chromecast to wifi. Then, connect it to the new network and check whether it connects to it. Try streaming content on your laptop instead. It is not easy to connect a Chromecast to a different network when the WiFi router has changed. The mobile device must be close to the streaming network. If this problem does not fix, you should try changing the WiFi network or mobile hotspot. If it doesn’t work, the problem is most likely with your router. This procedure may help improve network security. To update your network, you must log into the router’s settings. After that, you must enable guest mode on your router. ![]() This device requires a wireless router with a 2Ghz or 5GHz band. To connect a Chromecast to WiFi, you must first enable it. ![]()
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![]() ![]() While every precaution has been taken in the preparation of this publication, Seiko Instruments USA Inc. No patent liability is assumed with respect to the use of information contained herein. No parts of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form, or by any means, electronic, mechanical, photocopying, recording, or otherwise without the prior written permission of Seiko Instruments USA Inc. Applicable EC Directives and Standards Directive 2004/108/EC 2006/95/EC 2002/95/EC 2002/96/EC 2009/125/EC Standards EMC LVD Title EC Electromagnetic Compatibility Directive EC Low Voltage Directive Restricting the use of Certain Hazardous Substances in Electrical and Electronic Equipment (RoHS) Waste Electrical and Electronic Equipment(WEEE) Directive on Eco-Design of Energy-related Products Title EN55022 class B EN, EN EN55024 EN Copyright Copyright by Seiko Instruments USA Inc. Changes or modifications not expressly approved by Seiko Instruments could void the user s authority to operate the equipment. Consult the dealer or an experienced radio/tv technician for help. Connect the equipment into an outlet on a circuit different from that to which the receiver is connected. Increase the separation between the equipment and receiver. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures: Reorient or relocate the receiving antenna. However, there is no guarantee that interference will not occur in a particular installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. ![]() These limits are designed to provide reasonable protection against harmful interference in a residential application. ![]() 1 Smart Label Printers Series User Guide Models 440 and 450 For Windows 2000, XP, 2003, Server 2003, Vista and Windows 7 or Mac OS X 10.2 or later.Ģ FCC Compliance Statement This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC rules. ![]() ![]() The whole post doesn't contain spoilers, the tag is used to have stuff take up less space.Īll the other pages will have this table of contents as well.ġ.9.2 Cyberware Interface Subcategories/’Buttons’ ( 3 )ġ.9.3 Cyberware Changes & More Cyberware ( 3 & 4 )ĥ.1 Advertisements & Vending Machines ( 9 )ĥ.3 Vendors, Services & things to buy ( 9 )Īll NPCs carry, wear, use, attack with and drop anything you see them having.īe it a soft drink they got from a vendit, or legendary cyberware from a boss no common guns dealing insane damage because of difficulty settings. The section colored yellow is what this page contains, numbers in ( # ) are on which page to find what. 25000 characters per thread, so I'm splitting this post into multiple pages ( 10 total ) ![]() This is going to be a very long read, I’m eager to hear your thoughts! ![]() If you want to know how this stuff is done in RED in greater detail + additional lore and info, I recommend getting the book yourself. Most of those suggestions are me trying to ‘translate’ the PnP systems into video game mechanics or merge them with the ideas and concepts of how it works in CP2077,Īs well as adding my own twist and ideas to it. Some Ideas and concepts come from the Cyberpunk RED Sourcebook or take influence from it,Īs I find some systems could improve CP2077 massively by just adapting them into the game almost 1:1īut as RED is another IP I don’t want to infringe on in any way, the 1:1 stuff is only hinted at or I try to explain in as little detail as possible.Īnything written here is explained in my own words, I’ll try my best to denote influence from RED by marking them with color. I made all imagery and screenshots myself, but the text, especially the ideas in more abbreviated form, come from many sheets of paper that I took notes on while playing, reading through this forum & reddit & watching a ton of videos – so even though I consider them to be unique at least in phrasing/variation, they may very well range anywhere from ‘you read this x times before in some way shape or form’ to ‘this clearly takes influence from x’ So hopefully, by the end you will have a holistic picture.Īnd last but not least, please don’t take the ‘my ideas’ to literally. English is not my first language and I have a bit of an all-over-the-place way of thinking, along with some troubles categorizing my ideas. I leave that up to each person themselves to judge, so I’ll skip straight to the ‘Idea’-part.Ĭyberpunk has been one of my most anticipated games ever, and like with many games I’m that invested in, I can’t help but to burst with ideas. No “this” and “that” is Bad, so change it to. You might have experienced it for yourself or seen enough videos about its problems and bugs anyway. I do not intend to bash or pick it apart in any way – I’ll be trying to just list some suggestions without pointing out the underlying problem. I’ve been playing the game for almost 300h now, and while I’ve personally had a lot of fun, I find it very saddening when viewing it in the light of what it could have been. ![]() Jokes aside, here are my suggestions for Cyberpunk 2077 ![]() ![]() ![]() It’s just beautiful, a great example of the recent influx of modern dance choreography in music videos.Ĭarl: The video for “Get Hurt” is excellent, as are most of Gaslight’s videos. Not to mention, I watch the music video for “Get Hurt” a handful of times a week. The rest of the songs seem like personal engagement with the transcendental aspects of those four songs. In other words, they work because they do what Handwritten did as an album, they connect universally. They search for some kind of catharsis in a way the rest of the album doesn’t.īlake: I totally agree with you, especially re: “Get Hurt” & “Red Violins.” They have a certain transcendence that anyone who has experienced heartbreak can connect with. ![]() It’s like Fallon decided to go against his own advice on the last album’s “Too Much Blood” and just put his own stories on the page instead of vicariously living through middle-man narratives, hence the exhaustion and raggedness.Ĭarl: I view the essential songs on Get Hurt as “Get Hurt,” “Underneath the Ground,” “Red Violins,” and “Dark Places.” By essential, I mean these are the songs that tap into the sorrow and pain and attempt to manufacture something else from that pain. Get Hurt is clearly a very personal piece of work. I remember the band saying that Pearl Jam was a big influence on this album, and they are certainly another band where the music often moves me more than the words. It almost seems that the music moves this album rather than the lyrics. As for the music itself, I’d say it feels generally more emotive than on their other records. You’re right–there’s a world-weariness that speaks beyond his age. The emotional core of the album hits hard.īlake: Fallon has one of the best rock voices in the business right now. I think that’s part of what makes this album a departure for the band this time the raggedness and exhaustion are real, not just stories about other people. Even the ostensibly happy songs like “1000 Years” burn with regret, and you can hear it in Fallon’s weary voice. This album strikes me as Fallon giving up on such memories and letting reality be the driving force.Ĭarl: Musically, Get Hurt aches-jagged guitar solos slicing through melancholy bass, whispered vocals over steady drumming. Maybe that’s because he, and the listener (from their own experiences), know that how we remember things and people is often distorted. Even though a lot of his songs revolve around looking back on past events or relationships in a way that feels nostalgic, he never leaves it there. Perhaps Fallon, due to emotional turmoil, is attempting to return to those days when emotions and feelings weren’t trampled under the boot heels of “adulthood.”īlake: That’s another part of his writing I’ve always appreciated as well: the interplay between nostalgia and reality. This may not be his strongest work, but I still appreciate it on the whole.Ĭarl: Speaking of lyrical gold, there are a couple lines on “Stray Paper” that get me every time: “Now we’re much too old for this/ I don’t feel those kind of things/ So don’t you cry for me, I used to feel everything.” All of a sudden I’m back in high school, before I was so cynical. ![]() ![]() The Horrible Crowes album sealed Fallon as a personal favorite lyricist for me. It strikes a nice balance between The Hold Steady’s regional and spiritual immersion and singer/songwriters who try for levels of meaning. I do agree that break-ups tend to be more personal and exclusive to those involved, whereas falling in love (which was represented in part on Handwritten and some of their other material) usually allows more general room for connection or, as Fallon put it, “blood on the page.” Even then, though, I enjoy the way Fallon approaches lyrics. There may be hints of both on Get Hurt, but nothing that makes me want to discard the album wholesale. Rock “break-up” albums tend toward either self-pity or sentimentality. The ones I like are largely in the soul category, like Marvin Gaye’s Here, My Dear (1978). Get Hurt is certainly a “break-up” record, and while that adds an emotional rawness missing from Gaslight Anthem’s earlier work, I felt as if Fallon’s lyrics lost some of the universality they have on Handwritten and The ’59 Sound.īlake: As far as “break-up” records go, they are hit and miss for me, too. In the trend of recent conversation pieces, Blake (B.I.C.) and I bring you a discussion of The Gaslight Anthem’s newest album Get Hurt.Ĭarl: First off, how do you feel about “break-up” albums? Intense emotional pain and torment have produced classic albums like Blood on the Tracks, but more often than not I find “break-up” records to be less interesting than others. ![]() ![]() In December 2018, Valve transitioned the game to a free-to-play model, focusing on revenue from cosmetic items. Since its release, it has drawn in an estimated 11 million players per month and remains one of the most played games on Valve's Steam platform. Global Offensive received positive reviews from critics on release, who praised the game for its gameplay and faithfulness to the Counter-Strike series, though it was criticized for some early features and the differences between the console and PC versions. A battle-royale game-mode, "Danger Zone", was introduced in late 2018. The game also has matchmaking support that allows players to play on dedicated Valve servers, in addition to community-hosted servers with custom maps and game modes. There are nine official game modes, all of which have distinct characteristics specific to that mode. The most common game modes involve the Terrorists planting a bomb while Counter-Terrorists attempt to stop them, or Counter-Terrorists attempting to rescue hostages that the Terrorists have captured. The game pits two teams, Terrorists and Counter-Terrorists, against each other in different objective-based game modes. Developed for over two years, Global Offensive was released for OS X, PlayStation 3, Windows, and Xbox 360 in August 2012, and for Linux in 2014. It is the fourth game in the Counter-Strike series. decision prevails to rules.Counter-Strike: Global Offensive ( CS:GO) is a 2012 multiplayer tactical first-person shooter developed by Valve and Hidden Path Entertainment. If a team complains unreasonably or makes false accusation they will be disqualified.Ħ. Using bugs could mean losing rounds or even being disqualified.ĥ. If there were bugs, the match won’t be paused and reclamations will be made once the match is over.Ĥ. Just the team captains can address to admins.ģ. Reclamations will be made afterthe match is ended.Ģ. Therefore, should there be any repeated attitude correction party punishment procedures will be applied.ġ. Do remember we have to respect other attendants. Complaints such as “I can’t play this way” won’t be accepted.ĩ. Do remember that we are all attendants at a party, and loudspeakers and videowall will be used, therefore we beg you to be sympathetic. Not delivering them could mean disqualificationĨ. Should there be doubts… players could be asked their demos. Can ask and check players’ configuration. Is so that could mean loosing the match.Ħ. Players cannot change teams before the 15 rounds are played. Non default skins, models or textures are forbidden.Ĥ. Insulting and wrong use of 'say' is forbidden. It is compulsory to use ex_interp 0,01, the server will place the default.ġ. It is compulsory to use a 32 bits colour dpth resolution.ġ3. Players are not allowed to take part in different teams in the same competition.ġ2. And by other team captains.ġ- They will only be accepted at the end of a match or during a pause.Ģ- Just the team captain can address to admins. It is compulsory for players to record a demo of the match. If a member of the other team cancels it, a punishment will be applied.ĩ. In the same way, only the captain of the team who made the pause will be allowed to cancel it. That round will NOT be valid.Ĥ-If non fortuite disconnection happened, the other team will get the win because of forfeit.ĥ-Pauses cannot be made during a round, but at the end or start of them and just the affected team captain will be allowed to make them. ![]() That round will count valid.ģ-If fortuite disconnection happened or two or more players in the same team fell, the affected team captain can pause the match at the end of the round. Match will restart.Ģ After the third round start: Result will be kept to that very moment not counting the round being played, and the match will restart with 4500$.Ģ-If fortuite disconnection happened or just a player fell, the affected team captain can pause the match at the end of the round. If disconnection happened during a match:ġ-If the server falls (players total disconnection):ġ Before the third round start. If this happened the match would be paused and an admin. Substitutions during a match won’t be accepted except: Hardware problems or major force. Only captains will be allowed to use say during the match. Draw: Six extra rounds will be played (3 T and 3 CT)ġ-If there were another draw six more rounds would be played under the same conditions.Ģ-Pay-offs will start with 10.000$. Victory: The first team to win 16 rounds.Ħ. The team choice will be made in a knife-round. After 15 minutes of the start time for the match a team does not get to the server or a player is missing, they will lose the match.Ĥ. Rounds: A totoal 30 rounds will be played. Mythical Counter Strike’s source version, with many changes and novelties, which make of it much more than just an update.Ĭompetition will start on Friday at 10.00 am.ġ. ![]() ![]() ![]() In addition, according to Sahakashvili: “the construction of a new port and city will become a symbol of the urban development breakthrough for an agrarian Georgia”. Based on this publication “Sahakashvili wanted to show the West and Russia, that Georgia’s political elite are able to carry out large scale projects in technology and infrastructure, and to strengthen Georgia’s economy in the eyes of its sponsors as an example for the CIS countries”. The first small-scale content publication was made on September 28, 2012, on the Ukranian “Center for Transport Strategies” website. The projects were not even clear regarding there status as separate entities “Lazika” and “Ankalia”. This could be explained by the rapid inter-political developments. ![]() There were no analytical publication about Lazika in Georgian official sources, print or electronic media in 2012-2013. The first ship was expected to dock in autumn of 2014. “The population of this city will reach half a million in ten years”: said President Sahakashvilli in his message. Under the project called “new age deal” by Sahakashvili, the “Lazika” port should occupy 85 hectares with the new city built next to the port aiming to occupy another 10 thousand hectares. ![]() Later it was renamed to “Anaklia” Deep-Water Port project after the local village located 3.5 km south to the Enguri River with the same name. This refers to the construction project of a deep-water port “Lazika”, formed at the Enguri River delta and the Black Sea coast of Anaklia (pic.1). The construction project of a totally new 5 th Black Sea port in Georgia was announced for the first time during the former President Sahakashvili’s New Year message, in December 2011. ![]() ![]() The more modular your game is, the easier it is to test any single piece of it. This one is really a sub-pillar to the first two. The more you can change your game at runtime, the more you can find balance and values, and, if you’re able to save your runtime state back out like Scriptable Objects do, you’re in a great place. It’s crucial that your team can make changes to the game at runtime. If designers are able to piece things together in the game without having to ask for an explicit feature – largely thanks to implementing tiny components that each do one thing only – they can potentially combine such components in different ways to find new gameplay/mechanics, Ryan says that some of the coolest features his team has worked on in their games come from this process, what he calls “emergent design’”. If your systems are set up to be as modular and component-based as possible, it makes it easier to edit them, including for your artists and designers. When you design your game systems to be like machines that process data as instructions, you can make changes to the game efficiently, even when it’s running. Make as much of your game as data-driven as possible. This makes it easier to piece multiple components together to build something new. That way, most of your check-ins are at the prefab level, which results in fewer conflicts in the scene.įocus each component on solving a single problem. This helps a lot with source control with bigger teams, wherein scenes are a list of prefabs and your prefabs contain the individual functionality. ![]() As much as possible, every single prefab that you drag into a scene should have its functionality contained inside it. Set up Prefabs so that they work on their own. ![]() This allows you to have scenes that have unique behavior that was not present in other scenes, without having to do a hack. ![]() Every time you hit a scene, it should be a clean break and load. Create scenes as clean slates: avoid having transient data existing between your scenes.For example, an inventory system should be able to communicate with other systems in your game, but you don’t want to create a hard reference between them, because it makes it difficult to re-assemble systems into different configurations and relationships. Avoid creating systems that are directly dependent on each other. ![]() ![]() All the different ingredients and chemical compounds can get pretty confusing, especially if you’re trying to decide which ones are best for sensitive teeth. If you’ve ever looked at the ingredients on a toothpaste label, you’ve probably seen a lot of words you don’t recognize. Brittany Ang, DMD, MDS, MBS, of Curve Orthodontics in New Jersey.Quinn Yost, DDS, MSD, of Milk Tooth Pediatric Dentistry & Wellness Shoppe in Hermosa Beach, California.Hewlett, DDS in Los Angeles, California, and professor at UCLA School of Dentistry We also spoke to experts to learn how different ingredients affect sensitive teeth and gums. We scored each attribute on a scale of one to five and compiled the data points to create our overall average rating. Our final ratings looked at four unique attributes: comfort, effectiveness, convenience, and value. Each toothpaste was used twice daily for a few weeks before returning to the testing lab for a final evaluation and a before-and-after color comparison. Before testing began, we noted the color shade of our teeth on a dental color shade chart. In order to select the best whitening toothpastes, we knew we had to test them out firsthand. Whitening Ingredients: Stannous fluoride.However, since it doesn’t contain some of the more common whitening ingredients, like peroxide or baking soda, it might not have as much of a whitening effect as other products. We noticed that it also gave off a slight tingling feeling that left our teeth feeling sparkling clean almost an hour after brushing. Whereas most other toothpaste flavors are dominated by an intensive peppermint flavor, this toothpaste features a light hint of mint that we found refreshing. The flavor is the best we tried among the other teeth whitening toothpastes on this list. This toothpaste was formulated with specific ingredients known to be kinder to your teeth and gums. If you have sensitive teeth or gums, choosing a gentle toothpaste is crucial to starting your morning off without lingering pain after brushing. ![]() This toothpaste leaves out some of the more intense teeth whitening ingredients, meaning you will see less overall whitening.
![]() Then again, you’re better off replaying previously completed levels if equipment is what you need you’ll earn them through equipment drops in these levels. Item chests are also available for you to purchase with your gems, and they can give you rare weapons and armor. Save up to buy monster chests or dragon chests, which could then earn you some ultra-rare monsters. Gems are the game’s premium currency, so you shouldn’t spend them frivolously. Wrap this up by throwing the candy you’ll have a better chance of catching a rare Mino with rarer candy. Then keep draining that monster’s HP until they’re almost out of it. So how would you go about this? First off, you’ll need one of your weakest Minos, and use a stronger Mino to rob them of as much HP as you could. You need to do more tactical strategy to get the rarer Mino Monsters in this game. ![]() Manual fighting is best when you need to use special attacks or healing moves, which go unused in auto mode. In Mino Monsters 2, that’s not always the case, but you still would want to do things manually on certain occasions. But there are times when the AI is just too simplistic and obvious to ensure victory. They’re a great time saver and allow you to sit back and let the AI do its job. That’s often, if not always the case with auto-battle modes. You can also hit the Auto button to enable auto-battle mode, thus allowing the game’s AI to do the fighting on your behalf. If those slow battles are too hard for you to sit through, hit the 2x button in the upper left of your screen. ![]() The graphics in Mino Monsters 2 are stunning, but when it comes to the battles, those high-quality graphics don’t make up for their slow pace. But regardless whether you’re familiar with the series or not, we recommend checking out our Mino Monsters 2: Evolution tips, cheats and strategies for the ultimate guide to properly managing your monsters. If you already have played the original Mino Monsters, you’re probably familiar with the game’s basic mechanics. All told, these monsters are the key to “(defending) the land from impending darkness.” You can collect, train, and battle more than a hundred monsters, and you can “evolve Minos into Epic Forms.” There are dozens of quests and missions you can complete for more rewards, as well as PvP tournaments that give you a chance to test your skills against other human players. Mino Monsters 2: Evolution is a brand-new iOS / Android game by Mino Games that can be filed under the “dragon training” genre, though the creatures here are referred to as monsters, and should be thought of as such. ![]() ![]() Trouble and strife in the Old French fabliaux Neil Cartlidgeġ8. Convent and city: Medieval women and drama Sue Niebrzydowskiġ6. Tears, mediation, and literary entanglement: the writings of Medieval visionary women Liz Herbert McAvoyġ4. ‘It satte me wel bet ay in a cave / To bidde and rede on holy seyntes lyves’: women and hagiography Christiania Whiteheadġ3. Lyrics: meditations, prayers and praisesġ2. Women and devotional compilations Denis Reneveyġ1. Women’s learning and lore: magic, recipes and folk belief Martha W. Gender and class in the circulation of conduct books Kathleen Ashleyĩ. Embracing the body and the soul: women in the literary culture of Medieval medicine Naoë Kukita YoshikawaĨ. Syon Abbey and the Birgittines Laura Saetveit Milesħ. ![]() Ancrene Wisse, the Katherine Group, and the Wooing Group as textual communities, Medieval and modern Michelle M. Woman-to-woman initiatives between female religious: vertical and horizontal learning Mary C. Creating her own story: queens, noblewomen, and their cultural patronage Mary Dockray-Millerģ. ‘Miserere, meidens’: abbesses and nuns Elaine TreharneĢ. ![]() Patrons, Owners, Writers, and Readers in England and Europe:ġ. Introduction Corinne Saunders and Diane Watt Her previous books include Women, Writing and Religion in England and Beyond, 650–1100 (2019), Medieval Women’s Writing: Books By and For Women in England, 1100–1500 (2007), Amoral Gower: Language, Sex and Politics (2003), and Secretaries of God: Women Prophets in Late Medieval and Early Modern England (1997). She is English Editor for the journal Medium Ævum.ĭiane Watt is Professor of Medieval English Literature at the University of Surrey. Recent co-edited books include The Life of Breath in Literature, Culture, and Medicine: Classical to Contemporary (2021) and Visions and Voice-Hearing in Medieval and Early Modern Contexts (2020). ![]() Her third monograph, Magic and the Supernatural in Medieval English Romance, was published in 2010. Reflecting recent trends in scholarship, the volume spans the early Middle Ages through to the eve of the Reformation and emphasises the multilingual, multicultural and international contexts of women’s literary culture.Ĭorinne Saunders is Professor of Medieval Literature in the Department of English Studies, Durham University. Essays span topics including book production and authorship reception linguistic, literary, and cultural contexts and influences women’s education and spheres of knowledge women as writers, scribes and translators women as patrons, readers and book owners and women as subjects. Engaging with Latin, French, German, Welsh and Gaelic literary culture, it places British writing in wider European contexts while also considering more distant influences such as Arabic. Focusing on England but covering a wide range of European and global traditions and influences, this authoritative volume examines the central role of medieval women in the production and circulation of books and considers their representation in medieval literary texts, as authors, readers and subjects, assessing how these change over time. ![]() |
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